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in small letters
The
attic of our grandmother's house lives to this day. I know, because I have been there.
Many times. First, as a child, climbing the narrow, steep ladder leading up. Then through
the trapdoor which slammed back with a thud. Running madly from one end to the other, so
large it seemed to us, careening over the smooth wooden floor. Careful to stay in the
center or we'd bump our heads where the roof sloped on either side, beams exposed. The
cobwebs and the dust we did not mind, as long as we could scutter, like mice, in what
became a special place.
A place to escape to. A place of retreat.
Of pleasures. Of hidden goings-on.
And grandmother, whom we called Amma, had let us. She was short
and scraggly. A gnome of a woman, walking barefoot from the house to the yard and around
to the kitchen. A room separate, by itself. The smoke from the open stoves, lit daily,
filling her lungs while she arranged and blew and blew. Puffing her mouth over the
firewood till it burned steadily with a red glow. While wisps of hair hung about her face
and throat; round, gold loops pierced into the top of her ear, dangled like bells. The
earlobes themselves were empty with wide holes, so extended they'd grown from the heavy
earrings she'd worn and later discarded. Her nose stuck prominently from her face and the
hair on her chin quivered, bristled from the fire.
This was her domain. Filled with black, heavy
pots (black from soot) that stood nudged by heavier jars of whole mangoes, pickled in
brine. And mud pots all ranged on the floor. On the floor, where she sat, hunched, to do
the chopping, the slicing, grinding and coconut grating.
The attic of our grandmother's house lives
to this day though she herself is no more. Or as Appupan would say: Gone to her
resting place. The mother of daughters, no sons, she'd moved during the latter years
into the youngest daughter's home. Where she spent her days, soon, in a modern kitchen.
Formica counters and cabinets; a sink with a faucet (running water most of the time), and
two kerosene stoves which were later replaced by gas. So there was none of the blowing or
kindling of firewood to make her cough and spit. Except, those few occasions when a large
gathering took place and the cooking, boiled indoors and outdoors as well. Pots of fresh
crab. Slow-bubbling par-boiled rice going full steam. Roasting ducks. And the swift chop
of a hen's neck on the slab outside the kitchen door. On those rare occasions, she seemed
like her old self. Muttering and smiling, as the kitchen hands bustled to and fro; and the
talk spun on recipes, to the precise consistency for ground paste: For fish it has to
be smooth. Like this. For chicken, it's different. Or who, who will eat the fish curry?
By then she was already asthmatic and
gasping for breath at every step. Though so accustomed to her suffering body that she went
about with no complaints, only sometimes lying down. Sometimes, to regain her waning
strength. Then she'd lay quietly below the whirring of a ceiling fan, on sheets of
handloom cotton, a regular pillow under her head. Scenes of days long gone stirring in her
memory as though afraid to rest:
Appupan would sit for hours, morning till noon, on the
canvas-slung chair. Outside, on the front porch, he would read the holy bible. The
pince-eye glasses slipping on his nose. The wooden clogs he wore resting beside his feet.
The copper spittoon he spat in, next to them. The white, thin towel draped around his neck
flicking to squat a annoying fly.
The flick of the corners as if it were
yesterday.
He had never worked, just that one episode
when he ran the general store selling supplies to the village folk. He'd sat there too,
till it was time to come home for lunch. Closed shop, a slap of the latch and click of
Godrej lock, to return like a man on a mission. An umbrella held unfurled in one hand, the
other lifting the edge of his mundoo. Off from the dirt and soil. Walking purposefully.
Letting down his mundoo just, to lift the latch from the rickety gate. Then back again to
gossip and close shop at the tail-end of the afternoon. While grandmother slaved non-stop
with one chore after the other with only a young daughter for company. And the two days
the washer-woman came in to bang the clothes, all the while chattering about this and
that. Those days she'd look forward to.
The attic in our grandmother's house lives
though the house, I imagine, has long been torn down. Or built upon by some cousin who has
remained, to marry and carry on. Its brick and mortar useless, lying broken in heaps. The
wooden floors, stripped for kindling and firewood, stacked away in a storage shed.
Shielded only by woven palm-leaves. Mice still scurrying about its insides. In my mind's
eye I can hear the distant roar of waves, as it crashes. The gentle rustle of palms as
they sway in the incoming breeze. And the clear, clear cry of fishermen announcing the
day's catch.
Do you see Amma?
Yes, she is walking to the kollum. Oh, wait...I lost sight of
her.
Too small to look out from. These windows.
But don't you see?
No one can see us from down there. And we looked at each other and smiled. Like
co-conspirators.
A few trunks scattered about, invited our curiosity but try as we
could, they would not open. The lock was forever rusted and sealed. The one bed placed
against the window, overlooking the parambil, we jumped on. Up and down. Up and down.
Later we would discover, it was also where grown-ups lay. Sometimes. On long afternoons.
But for now it became our bed. The one we slept on as night approached and there was no
more room. Banished as we were to the attic...in those distant, long ago times when we
came visiting.
Going to see Amma and Appupan in Mummy's
old tharavat.
What tharavat? Daddy would say...How old could it be?
Old enough, she'd reply.
Tharavat, we knew, meant ancestral home. A
place where grandparents, great-grandparents and their great-great grandparents had lived.
But really, it wasn't that old. Appan had built this house later, after receiving his
share of his father's property. And that could not have been more than 20 years ago. He
must have thought it prudent then, to remove himself, along with his wife and daughters to
other surroundings. Away from the constant squabble, the bickering of several women all
under the same roof. After all, a share of the paddy fields was his. Out, past Aroor,
where his mother came from. That, along with the coconuts from the strip of coastal land
his new house sat on, would do. For an income. To raise his family. He was a landowner,
the son of a landowner. And as such possessed no skills. He had, like the others, attended
school but failed to pass the 10th grade. It did not really matter. He would be
comfortable. He had been provided for.
Church and God mattered. Those were the two
things he cherished most. And to the very end he toted his bible, every Sunday (later
every day), back and forth. Walking purposefully like a man on a mission. Starched, white
giba shirt with small gold buttons on top, white mundoo tucked below. Leather sandals that
creaked on his feet. Quoting lines to us from the scriptures that we didn't understand.
Speaking as he did in Malayalam. A language we barely spoke or knew; raised as we were
outside the state. Educated really, in English-medium schools, convent schools. By nuns,
strict in their strange attire, and watching over us, ready to swoop on mischief-makers.
So it was only fitting that vacation and visits became the two most exciting events in our
young lives. The two V's grew, rising in stature, to incredible heights. Tall like a tree,
then higher and higher, till they touched the clouds. As the days tumbled into one another
and we, anticipating, counted down the days.
Going on the train to Kerala, we sang. Chook-chook gadi.
Chook-chook gadi. Holding each other, forming a train, in a line to travel in
circles. Pursing our mouths to blow a whistle-blow, at proper intervals. So it was only
fitting when Vacation and Visits, exciting in themselves, grew to become important. Merged
even as we stepped on to the platform. Crying freedom.
Freedom which we spelled in
capital letters. FREEDOM. On the sand, as we arrived at the house, with our bare bare
fingers. Drawing out the letters, evenly, the best we could. And what an expanse of sand.
Everywhere- in the front yard, out in the back, on the road, in the verandah; in Appupan's
garden, the area to the west where he grew fruit trees (guavas, mangoes, papaya.) And
still further to the beach. Sand it seemed to us spread like ground cover. Swept as it
was, every morning by a woman at the crack of dawn, in circular strokes. To make clean,
whole for the day. Fan strokes that spread neatly around that it was almost a shame
to step on. After the first, few heady days.
The fan whirred on and on, in circular motion. She drifted in and
out of sleep wheezing with each breath. Images hovered inside her, like an octopus, moving
steathily.
There she was walking to
the beach with the oldest. For company. The two of them, each carrying a pail of water as
they always did, for rinsing afterwards. Walking in the pre-dawn hours so it was still
grey and a fine mist spread thinly in the air. With her eyes she searched for a spot that
was secluded. Private. Already some women sat at a distance, on their haunches, with
mundoos lifted. Like them she faced the ocean and watched the swell of water, as it rose
and fell. The waves rushing inwards, pulling away. The peep of orange glow as the sun rose
over the horizon. Here, she rinsed discreetly, with her fingers. Then rose with the sun,
rising with the sun, to turn back. Back to the house to face the business of the day.
Was it then...that she'd heard the children. That
time when they were staying for a while. Was it? Yes, it must have been. Sometime in the
late afternoon when the house was quiet. The children, she supposed had gone to the beach
to play, as they sometimes did. The oldest, Mollay was somewhere around. Just two days
before, her husband had come to carry them all back. They had been so excited at being
together, after a long separation. But for her, it meant more time in the kitchen, with
some help of course. There she was on the footstool, cutting green mangoes. She'd heard
them then, running past. Laughing.
What, what? she asked.
Whispers. Giggles.
So she climbed the stairs to the attic, one by one. Wondering
what could they have been up to? Those children.
When she came to the hallway, it was locked. The door to the
attic. Who would lock it? Muttering, she peeped through the cracks in the door. And there
they were, the two, lying together. He on top, she with her legs raised up. It was him,
but...she couldn't see their faces. So hard to tell. Mollay and her husband in the middle
of the afternoon? Who else? she said. Rushing, like a wave, the thought rose in her mind.
Rose and fell. She went rigid for a moment. Then drew back, suddenly afraid. Just as
quickly, it washed over her. Guilt. Guilt, at having peeked, for spying on so private an
act. And overcome, she descended the stairs, one by one.
In a few days they were all gone, Mollay,
her husband, the children. The careening, the whispers, the giggles, of running madly to
and fro... The house left empty. As before, at pre-dawn hours, she went to the beach. The
youngest walking with her silently. Every morning with pails of water. When they came to a
spot, she could only sit on her haunches and look accusingly. Look, till they both rose
and turned, their back to the rising sun. And in a decade or two, in the twinkling of an
eye, it was all swept away. A daughter married, a husband dead, she herself a widow.
Surrounded by formica counters and cabinets, a sink with a faucet, running
water...discreetly with fingers.
The attic in my grandmother's house lives
to this day. I know, I have been there many times. Stored as it is, forever, in the far
recesses of my mind. With memories hidden, like old trunks. Locked, forgotten. Till
I pry them open, chipping away at the lock, bit by bit. The dust and the cobwebs I don't
mind, flicked as they are by towels. Thin, white, not far from my reach.
I lift the corners like it was yesterday.
In the distance the scurry of mice, the crash of waves, the
gentle sweep of palms.
The clear, clear cry of fishermen.
With my bare fingers, I sift through the contents. Sifting sand
as it were. Amma, a gnome of a woman, rises. Waking up. Appupan is not far behind. They
merge in the sifting sand.
Fan-shaped, spread evenly in circular motion.
Each time I visit they grow clearer. Whole.
Larger than life.
It is in my visiting I spell freedom, in small letters.
mundoo - sarong
kollum - pond
parambil - yard
tharavat - ancestral home
Mollay- daughter
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Vasanthi Victor was raised in Bombay but now makes her home in the California Bay Area,
where she has been a long-time resident. Her work (Not Only Fish) was recently featured in
IndiaWorld under the story section. Her work will also be appearing in the upcoming
anthologies Sanskar (Harvard University) for their compilation of South Asian work, and in
Bolo! Bolo! from SAPNA-Toronto, Canada. She can be reached at vasanthi_
victor@hotmail.
com
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