RADHA ON THE TRADITION OF WRITING A SHATAKAM
--100 STANZAS TO A MOOD
Reetika Vazirani
nothing restrained me like your leather grip
on your slate bed covered with aquamarine
mountain to sea I went on all fours cuffed
like a childdoganimal no
like love
& you wrote a shatakam for me
erotic collides with you
the divine
you write I comply
that’s what you said about me -- lovebird lovefeast
come when I call you I came when you called me
not that I minded but
sometimes I minded
rub & suck of teeth on my thumb
fingers in my mouth missing you
by the Prajapati by the Yamuna
by the Ganges on a wet stone step at Holi
& purple rain comes flying from tin cans
a hundred stanzas
the myriad colors of this holiday paint
your purple cheek red hair blue
arms
green & gold pink & cream
saris drenched & blooming
festival colors at festival hours
you rub me down 300 verses model lover devoted nurse dancer
showgirl doll
on location Himachal Pradesh
Andhra Kerala Kashmir
your face on my lips
who would have thought I’d write a shatakam for you
no one thought I could write of political kingdoms
a hundred states in the days of rival kings
thus the trains empirical
the army
one under god our nation split
my lips parted
in a wet haul
in a rainy season
Krishna so much calamity & love lost
as of late & long before 1947
though endowed you could not quell border disputes
found me in a field like the shoe of an ancient woman
who’d given all her teagardens away
I was ready for fate prepared myself Krishna
I have a handle on myth’s dreams of me
set myself on fire at the death of no spouse
but land I love
my nation
sacrificed am proof
of a home’s infinite worth
though you need to think I burnt myself for you
minuscule statue by the burning tall centuries
between love games your shatakam explains
garlands burst on crushed sheets
flesh in my mouth swollen lower lip
count them ninety-eight ninety-nine
you came your face on my lips
a hundred stanzas equals one drop of my witness
to the south to the north it goes on shrinking
& the east-west fences
Pakistan Bangladesh
fighting goes on for riverwater
we witness our fractions
though we all suffered we had to stop & marvel
sometimes at night the guns quit in every quarter
sometimes love came I wanted the heave I did though I have changed
your shatakams they did not reveal me
love it is here or nowhere else we can name
let this be my-only-life
let this be best-lived
putdownarms dissolve men’s penitentiaries
fencing sex rank race class caste
tongue on my lips
tell me why & I ask why I let
your buckled leather grip arrest me always
contain me restrain me retain me. . . Give it up
the shackle ninety-nine a hundred love I will try to show you
my shatakam beyond erotic beyond divine but alert & current
under the old locks tiers of them & I can newly choose
my own lover in my own way
the cheerful fearless seer to near me with his insides
lit & clarified |